i thought over the years i have grown up. yes in some sense, but not in some other. or rather it's in some aspects. but still, the problem still revolves over the same kind of issue.
in the past, it used to be. 'shut up you, don't say it out' and it always resulted into something being blurted out accidentally, well it might be accidentally INTENTIONALLY or UNintentionally. lol. and now it's still very much the same. what in the world man.
and once again. clement/clemont lim is not making much sense.(as always)
i realise something,i don't like to play baroque music, or at least for keyboard music. the technical requirements of the more advance music in baroque are = you make your fingers solid and long or make sure the music's light and practice them like nuts, if not you can break them and don't play already.
no, that's a crazy interpretation, by me.
some modern music are just soooo modern/weird... they don't make sense when you play it like just a few times..must play many times to hear something different(for me at least), and now i wonder... what would happen to the audiences? as in how would they feel? same as how we felt when we first played the music?
and now, lastly, i realise things changed, people have changed, i've changed. i'm not sure for the better or for the worst. but..i don't like it when things changed too much, though it's said human being was strong because they can adapt, but then again. they are weak also because they are erm. what's the term. habitual creatures? as in .. xi2 guan4 xing4 dong4 wu4(eh not sure if correct or not).
concerts coming up on 10th may and 20th july, nyjcsb and swo respectively.
LIM CHEN HUNG CLEMENT
11th September 1990
Flute,Piccolo,Piano Riverside Concert Band
Sembawang Symphonic Winds
Sembawang Wind Orchestra Nanyang Junior College Symphonic Band
NAFA Diploma in Music Performance
miyazawaflautist@hotmail.com
WISHLIST
Muramatsu SR
More gigs, performance
More exposure to the scene
Money
Good techniques
To be a professional flautist
Laptop
(:
